It’s all in the wrist

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Cross-cultural

German is a wonderfully direct language…

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Tainted love

Stephen King’s Stranger Love Songs is a project by Brazilian artist Butcher Billy (great name), creating 80s-era, Stephen King-style, paperback covers from classic love songs.

They’ve done a great job of capturing that schlockly, video-nasty style:

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Laconic

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Circles within circles

The Gates of Hell is a monumental sculptural group work by Auguste Rodin that depicts a scene from “The Inferno”, the first section of Dante’s Divine Comedy.

Subsequent bronzes have been distributed by the Musée Rodin to a number of locations, including this one at the Kunsthaus gallery in Zürich (I think)…

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Here be dragons

This is a bit of a monster post, but it’s pretty interesting, I promise!

How do you leave a message to ancestors more than 24,000 years in the future?

That’s the challenge of nuclear semiotics – human communication across nuclear time – the attempt to create long-term warnings on nuclear waste facilities that will tell far-future generations the radioactive danger that lies ahead.

And 24,000 years is actually an underestimate, that’s only the half-life of plutonium-239. One work group in Germany concluded that nuclear waste must be separated from the biosphere for up to one million years – about 30,000 human generations.

It’s a surprisingly difficult problem. Written languages are probably a no-go, when only a few scholars today can understand the untranslated Beowulf, which was written a mere 1,000 years ago.

The classic trefoil symbol for radioactive material might seem a natural alternative to text, but without previous knowledge about what it’s meant to stand for, it’s unlikely you’d realise the threat it denoted. And symbols’ meaning isn’t fixed – the swastika was a holy icon of Hinduism before the Nazis claimed it, the skull and crossbones has only become a symbol of death since pirates flew it in the 1700s.

The culture of earlier centuries becomes incomprehensible when it is not translated into new languages every few generations and national institutions do not exist longer than a few hundred years – there are currently few, if any, continuous lines of communication across the spans of time required.

So in 1981, a team including engineers, anthropologists, nuclear physicists and behavioural scientists called the Human Interference Task Force was convened by the U.S. Dept. of Energy and the Bechtel Corp (the largest civil engineering company in the U.S.) to reduce the likelihood of future humans unintentionally intruding on radioactive waste isolation systems.

Unsurprisingly, given the enormity of the undertaking and the diverse specialities of the team members, some dramatically different proposals emerged:

The Atomic Priesthood

Linguist Thomas Sobel’s approach was to create an Atomic Priesthood; a council of experts whose members would be replaced by nominations, and who would preserve the knowledge about the locations and danger of radioactive waste by creating and sustaining rituals and myths.

Based on the leadership of the Roman Catholic Church, an institution which is already two millennia old, the priesthood would reinforce the idea of off-limits areas and the consequences of disobedience, (i.e. sin and damnation).

As anyone who’s played a Fallout game (or read a history of the Catholic church) will tell you though, there are some rather large potential pitfalls:

1. An atomic priesthood would gain political influence based on the contingencies that it would oversee.
2. This system of information favours the creation of hierarchies.
3. The message could splinter, or be split into independent parts.
4. Information about waste sites would grant power to a privileged class. People from outside this group might attempt to seize this information by force.

Despite these pitfalls, the Atomic Priesthood has  a lot of strengths – it doesn’t rely solely on written communication, oral traditions and ceremonies can last huge spans of time, and it’s based on a model with a proven track record (the Catholic Church).

Ray Cats

Philosophers Françoise Bastide and Paolo Fabbri also came to the conclusion that the most durable thing that humanity has ever made is culture: religion, folklore, belief systems. They may morph over time, but an essential message can last across millennia.

However, rather create a priesthood to remind people of the severity and location of the radioactive danger, Bastide and Fabbri took a slightly different approach:

As cats have had a long history of co-habitation with humans, (they were domesticated about 12,000 years ago), it is a reasonable assumption that their domestication will continue indefinitely.

Bastide and Fabbri proposed that we genetically engineer a species of cat that changes colour in the presence of radiation, and release them into the wild to serve as living Geiger counters.We would create folklore and write songs and tell stories about these Ray Cats, with the moral being that if ever you see these cats change colour, run far, far away.

I’ve no idea how practical this idea is – the cat in the picture is a real cat with bioluminescent jellyfish genes inserted, but could you link those genes to radiation exposure, and would interbreeding with non-ray cats dilute the effect? – but it’s easily the most fun proposal. I also really like the way it intertwines the strengths of science and mythology.

Hostile architecture

Hostile architecture is a controversial aspect of urban design that focuses on constructing public spaces to discourage certain types of behaviour, such as anti-homeless spikes or angular benches designed to prevent rough sleeping.

Landscape artist and architect named Mike Brill applied these principles to keep people away from the radioactive sites, by making people scared of being in this dangerous place. He envisioned huge needles jutting up from the ground – a “landscape of thorns.”

But there’s no way of knowing that this ominous landscape won’t become an attraction in itself and actually invite people to explore it. It reminds me a little of the Holocaust Memorial, which has been designed to evoke an uneasy, confusing atmosphere, yet is still a tourist attraction.

The technology barrier

As with much in life, the approach that seems most likely to work is also the most boring. Unsurprisingly, it was suggested by a Swiss physicist.

Emil Kowalski proposed that waste storage locations be constructed in such a way that future generations could reach them only with a high technical ability. The probability of an unwanted breach would then become extremely small. Furthermore, cultures able to perform such excavations and drillings would most certainly be able to detect radioactive material and be aware of its dangers.

It’s pretty unexciting, but burying waste so deep and sealing it in with so much concrete and steel that no one could reach it is both the best approach and the one that best fits with current technology and approaches.

 

The need for solutions to this problem isn’t too long way off. In Yucca Mountain, New Mexico, is the U.S’s Waste Isolation Pilot Plant. Almost 2 million cubic feet of radioactive waste is buried half a mile deep in the 250-million year old salt deposit. The plant will continue to receive nuclear sludge from around the country until 2070, when it will be sealed up for good.

In light of some of the other potential solutions, the Environmental Protection Agency’s proposal to reduce the dangers to future humans does feel a bit half-hearted. They plan on surrounding the plant with obelisks containing messages in Spanish, Navajo, Chinese, Latin, Hebrew, and English, presumably hoping that these messages will be added to in the languages of the time, as the millennia pass.

Realistically though, given people and their government’s reluctance to spend money on infrastructure projects with lifespans of mere decades, it’s highly unlikely that you would ever get the funding for the more out-there approaches.

But that leaves us in a world without mythologically-laden, radioactive, bioluminescent cats, and we’re all the poorer for it.

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Death becomes me

As part of a design project for The University of the Arts, Bremen, Joris Wenger has developed his own proposal for Nuclear Semiotics – (how we communicate the dangers of nuclear waste sites to future generations, which I covered in the last post.

I think the laser-etched skull is incredibly striking, and does a good job of conveying ‘death’. Though the trefoil nuclear sign and exclamation marks aren’t self-evidently about death, danger or nuclear radiation, so their meaning would quite easily be lost to time.

Having said that, when a subject is communicating across tens of thousands of years, it’s always going to be a difficult proposal, and easy to pick holes in. Joris’ work is beautifully finished and an interesting approach to a fascinating challenge:

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The Business

If I ever write a book, I can only hope it has as great a title as Thee Almighty & Insane: Chicago Gang Business Cards from the 1970s & 1980s by Brandon Johnson

Johnson was put onto the world of Chicago gang cards through a card given to his Dad by a gang-affiliated friend back in the day.

Inspired by the social athletic clubs and political groups that preceded them, street gangs in 60s and 70s Chicago made business cards displaying their symbols, nicknames, territories, and enemies as a means to assert their pride, recruit new members, and serve as general tokens of affiliation.

It’s tempting to see the cards as quaint, especially with the prevalence of ‘Lils’ in the gang member’s names, but you could also draw a line from these groups to the terrible gun violence currently plaguing Chicago today, (though I absolutely don’t know enough about either current Chicago crime or these gangs to make any assertions).

That being said, there is some magnificent old-school naming going on here. I love the mix of 20s Chicago gangster – Mugsy, Lil Greaser, Droopy – and street warrior – Savage, Maniac – as well as the incredible gang names themselves – Insane Popes is amazing, but Future Chicago Players is also top-notch…

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Draw the thread

Yuko Shimizu‘s illustrations for the covers of J.Y. Yang‘s “silkpunk” fantasy novellas The Red Threads of Fortune and The Black Tides of Heaven:

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Mouse house

Architecture for fictional characters by Federico Babina:

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